Category Archives: Exhibitions
LOUISE BENNETT Kefalonia Dreaming
LOUISE BENNETT Kefalonia Dreaming
Εxhibition date 26 -09-2012
Louise Bennett presents new video work and objects that she has created in response to her experience on the island in her solo exhibition titled, Kefalonia Dreaming. These new art works explore her playful and personal engagements with the beach environment and tourist souvenirs.
Louise Bennett is a visual artist from Brisbane, Australia. Her art practice engages with the intersections of online and physical environments. By mixing video, performance and installation, her work poses questions about how our concepts of and engagements with nature and identity are shifting in contemporary contexts dominated by screen technologies and mediated experiences. Her seemingly non-committal performances in front of her iphone call into question our engagement with online content and the internet’s ability to inform our experiences offline.
Bennett graduated from a Bachelor of Fine Arts Visual Arts with Honours from the Queensland University of Technology (QUT) in Brisbane, Australia. She has been shortlisted in the 2011 and 2012 National Churchie Emerging Art Award, shortlisted for the Jeremy Hynes Award in 2011 and was awarded The Melville Haysom Memorial Art Scholarship in 2010.
MP.9 INTERACTIVE EXHIBITION- PRESENTATION OF MELISSANES MYTH
MP.9 INTERACTIVE EXHIBITION- PRESENTATION OF MELISSANES MYTH
MYTH, REALITY & VIRTUALITY: DISCOVERING CONNECTIONS BETWEEN
MELISSANI LAKE & IT’S MYTH WITH ART & TECHNOLOGY//
http://www.universalsubtitles.org/en/vid
http://www.youtube.com/watch?v=SD-fMN573cg
eos/0AtPkFihMxiV/info/teaser-mp9/
Vicky Yiannoutsos “Persephone’s Plight” Exhibition at Ionion Center for the Arts and Culture
flier VICKY YIANNOYTSOSPersephone’s Plight – The Four Seasons of Migration.
Birth, Separation, Yearning, Return
The Exhibition.
At the
Ionion Center for Arts and Culture – Kefalonia. September, 2012.
“Persephone’s Plight” is a multi-media installation with multiple film and video images drawn form over 20 years of filming between New Zealand and Greece.
Artists Vicky Yiannoutsos comments “’Persephone’s Plight’ is a new chapter in a body of work, which has been in progress all my life, where I continue to chose the moving image to express the complexity, confusion, richness and joy that comes from living between cultures”.
Since first visiting Greece as a young girl, Vicky has identified the myth of Demeter and Persephone as a metaphor for the migrant experience. This has underpinned her work, resulting in the shooting of the documentary “Visible Passage”, the beginning of its follow-up work “Scattered Seeds”, the feature film script ‘Kore”, as well as many stories, poetry, journals and letters. Translations have begun on the diaries kept by her father since his arrival in New Zealand, as well as letters between him and relatives, in Greece.
In classical terms, the myth embodies the cycles of the seasons-the phases of birth, death, their activity, their dormancy and the regenerative phases of their eternal cycle. For this artist, it is a metaphor for the 20th century migrant experience as expressed through the quartets of birth, Separation, Yearning, Return.
Like Persephone, abducted by Hades to the Underworld where she yearns to return to her mother, the migrant is abducted by the New World. Separated across the water, she and her mother yearn for each other. But, once Persephone eats the fruits of the Under world, she is irreversibly changed, as is the migrant when she partakes of the fruits of the New world. Though the Homeland calls, she can never permanently return – rather, she is destined to journey between worlds, and, like her mother, is trapped in yearning.
The generations that follow – the new seeds – inherit this yearning – this love of a distant culture – through music, language, food, dance and stories.
The exhibition was first mounted in Auckland, New Zealand, in July 2010. Nicolas Greanias (United States Consul in New Zealand) who attended opening night, described the work by “a serious artist with a strong vision”.
This month the exhibition will have its first ‘return home’ viewing at the Ionian Centre for Arts and Culture on Kefalonia, Greece. This is a long-time dream for the artist, who is delighted that the work has been ‘called back’ to Ionian waters, as most of the Greek filming was done on the nearby island of Kastos, her fathers’ birthplace.
“ I carry two cultures, two languages, two worlds.
I belong to both. I belong to neither.
I am Persephone, destined forever to journey between them”
Vicky Yiannoutsos
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Bryan Prillwitz “absolute beauty,” that “oneness of form”
//The stimulation of working in a community with other artists is essential for the purpose of learning and sharing creativity.
I wish for my work to have “absolute beauty,” that “oneness of form” that means that in a tactile sense, memory and physicality are one. I am compelled by that mysterious memory of flesh and material, of strange and forgotten events. I am influenced by Cy Twombly and his paintings that depict the Aegean Sea, the ships sailing to the island of Paphos and the mythical god Dionysus. I think that the flesh and blood in my paintings is of Dionysus, of desire, as well as of a tortured feeling of diminishment, or denial//.
Bryan Prillwitz M.F.A .Michigan State University
www.preytitus.net
Diana Dudek at Ionion Center for the Arts and Culture presents //A World Behind//
Diana Dudek through her project // A WORLD BEHIND// is leading to the wonderful world of ornamental creation,answering questions as:
//Is the absence of the ornament an indicaror of spiritual strength?
The adornment did, however, survive and took on a new form, – intellectual, poetical and visual … So surface ornament gained in depth.