All posts by Editor

I-Node Planetary Collegium /NEXT NATURE / juried poster exhibition/Regina Durig

Regina Durig
PhD candidate at the Planetary Collegium,T-Node, School of Art & Media, University of Plymouth
Swiss Literature Institute, Berne University of the Arts
100_1035

Next Nature Next Love (2015)

The writing piece Next Nature Next Love consists of 16 pages from Roland Barthe’s Lover’s Discourse. They are almost completely blackened, only a handful of words is left: one haïku per page. The use of Barthe’s emblematic text as material for new metaphoras for love reflects the current state of my research about love as a concept in Western writing and thinking. What does love explain? Is love always a reference? Is writing about love always constrained? Is it impossible to talk about love? Can love only be realized in fiction? Can love be seen as a heterotopia – existing neither here nor there – between the lines?
info:www.i-node.org

Share

I-Node Planetary Collegium /NEXT NATURE / juried poster exhibition/Lila Moore

Dr. Lila Moore
ARA (Advanced Research Associate) at the Planetary Collegium,
The I-Node, School of Art & Media, University of Plymouth
1f05f2_689cb0dc05a0459a81f213827f796807.png_srz_p_476_715_75_22_0.50_1.20_0

Fields of Origin (2015)

Novel forms and ideas arise unexpectedly from unknown or previously unsuspected origin. Being new and full of mysterious possibilities, they could impact consciousness, nature and culture, similar to viral memes and bacteria. Their revolutionary traits may periodically pose a threat to the dominant order, hence, they get tracked down and uprooted to stop them from spreading. Yet, their point of origin, embedded in morphic fields, retains their memory and formula. Hidden within the recesses of space-time, they await for as long as it may take for a morphic resonance, a signal that will herald their next manifestation in nature.
The Wandering Jew poses a threat to civilisation with his anarchic disregard of boundaries. Although elevated to the status of a world reformer and artistic nobility in Gostav Courbet’s Meeting and other works, the transformed outsider was publicly ridiculed. Prevalent in European folklore, the archetype has been associated with supernatural creatures that dwell in the twilight zone between reality and magic, the visible and invisible, the mortal and immortal. The golden plover, shown in the poster, according to a Lancashire tradition, embodies the Wandering Jew with its eerie whistling that strikes fear in the human heart. Resembling migrating birds, he was doomed to wander endlessly. The unnaturalness of his wanderings corresponded with all other abnormal births and entities which betrayed their master-maker and manipulated their initial design. Nowadays wandering has taken a different route. It has been reformed by the wandering quality of the Internet. Through virtual, vegetal and noetic technologies, wandering is spreading to the unregulated field of consciousness where the alien, mystic and visionary transmute with nature.
The golden plover inspired the concept of The Guinness Book of Records as the faster game bird in Europe. It became associated with extraordinary achievements that exceed conventional capacities. The bird as a metaphor of unlimited abilities and flights of the imagination corresponds, in this visual depiction, with Hypnos’ wings of the mind. The divine generator of altered state of consciousness is syncretically positioned by a reference to a monolith (2001: Space Odyssey).
The woman’s selves offer the elixir of the soul in a ritual that activates odysseys in fields of photons, memory, and impulse. The jars are ancient but the liquid inside them evolves the structures of realities as the screens that bind them disintegrate. Free to flow everywhere, the cybernetic monoliths of evolution beckon in the field to the wanderers.
info:www.i-node.org

Share

I-Node Planetary Collegium /NEXT NATURE / juried poster exhibition -Diane Derr

1f05f2_1bd218de82f646519a12f198e5be448d.png_srz_p_552_390_75_22_0.50_1.20_0
Diane Derr
PhD candidate at the Planetary Collegium, CAiiA Hub, School of Art & Media, University of Plymouth
Assistant Professor and Curator of the Innovative Media Studio at Virginia Commonwealth University-Qatar

Syncretic Narrative: A Method for Potential in Practice (2015)

Syncretic narrative, wherein information produced within the networked model of communication regarding a single event or set of relational events is integrated forming alternate, corresponding, connecting, and subsequent narratives in which the context of the original source is not diminished. As a process rather than a result it gives autonomy for understanding the complexity of information generated within the networked model of communication around relational events. The syncretic narrative has the potential to navigate and negotiate the construction of narrative as a fluid entity in its intersection and integration of generated information, constructing dynamic threads in the inter-textual narrative within generative and iterative constructs.

Considering an event, or a set of relational events, the content of narrative (A) and content of narrative (B) are produced within the network model of communication by broadcast media and social media respectively.
Narrative (A) and narrative (B) share a set of indices, which lead to the viewer’s construction of narrative (C). Narrative (C) would be syncretic, independent and variable. In this system the independent and variable production of the narrative by the viewer does not negate the original intention of narratives (A) and (B). Narrative (C) is not mutually shared among individual viewers. Additionally, a contrapuntal reading becomes inherently embedded within the process, which to say both the power and the counter power within the text are accessible and not place in hierarchical order of one another.
info:www.i-node.org

Share