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I-Node Planetary Collegium /NEXT NATURE / juried poster exhibition/Lila Moore

Dr. Lila Moore
ARA (Advanced Research Associate) at the Planetary Collegium,
The I-Node, School of Art & Media, University of Plymouth
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Fields of Origin (2015)

Novel forms and ideas arise unexpectedly from unknown or previously unsuspected origin. Being new and full of mysterious possibilities, they could impact consciousness, nature and culture, similar to viral memes and bacteria. Their revolutionary traits may periodically pose a threat to the dominant order, hence, they get tracked down and uprooted to stop them from spreading. Yet, their point of origin, embedded in morphic fields, retains their memory and formula. Hidden within the recesses of space-time, they await for as long as it may take for a morphic resonance, a signal that will herald their next manifestation in nature.
The Wandering Jew poses a threat to civilisation with his anarchic disregard of boundaries. Although elevated to the status of a world reformer and artistic nobility in Gostav Courbet’s Meeting and other works, the transformed outsider was publicly ridiculed. Prevalent in European folklore, the archetype has been associated with supernatural creatures that dwell in the twilight zone between reality and magic, the visible and invisible, the mortal and immortal. The golden plover, shown in the poster, according to a Lancashire tradition, embodies the Wandering Jew with its eerie whistling that strikes fear in the human heart. Resembling migrating birds, he was doomed to wander endlessly. The unnaturalness of his wanderings corresponded with all other abnormal births and entities which betrayed their master-maker and manipulated their initial design. Nowadays wandering has taken a different route. It has been reformed by the wandering quality of the Internet. Through virtual, vegetal and noetic technologies, wandering is spreading to the unregulated field of consciousness where the alien, mystic and visionary transmute with nature.
The golden plover inspired the concept of The Guinness Book of Records as the faster game bird in Europe. It became associated with extraordinary achievements that exceed conventional capacities. The bird as a metaphor of unlimited abilities and flights of the imagination corresponds, in this visual depiction, with Hypnos’ wings of the mind. The divine generator of altered state of consciousness is syncretically positioned by a reference to a monolith (2001: Space Odyssey).
The woman’s selves offer the elixir of the soul in a ritual that activates odysseys in fields of photons, memory, and impulse. The jars are ancient but the liquid inside them evolves the structures of realities as the screens that bind them disintegrate. Free to flow everywhere, the cybernetic monoliths of evolution beckon in the field to the wanderers.
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I-Node Planetary Collegium /NEXT NATURE / juried poster exhibition/ Alex Barchiesi

Dr. Alex Barchiesi

ARA (Advanced Research Associate) at the Planetary Collegium, The I-Node, School of Art & Media, University of Plymouth

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No Title (2015)

 

Richard Feynman said, “I think it is safe to say that no one understands Quantum Mechanics.” [1]

While I strongly admire and respect Feynman, I’d like to extend the field of the so called understanding to something that is more sensual and I’ll call “field intuition” (to conceptually refer to field theories in modern physics).

We can think a human being as a highly connected organism who extends through time and space. Human experience unceasingly involves intrinsically mental and experiential functions such as “knowing” and “feeling”, involving images, intentions, thoughts and beliefs. A continuous interface holds between mind/consciousness and brain. [Mental states follow quantum mechanics during perception and cognition of ambiguous figures. arXiv:0906.4952]

Modern quantum physics has revealed that light particles seem to know what lies ahead of them and will adjust their behavior accordingly, even though the future event is not perceived as occurred yet. [T.Young: two slits experiment]

Although we perceive time as linear and unidirectional, research continues to reveal that it is not necessarily so.

One thing that is still missing and should be taken into deeper account is all the field of sensual knowledge that recently started to find his scientific formalization in neuroscientific results. Mirror neurons allow us to grasp the minds of others by feeling, not by thinking. This is shifting the understanding of culture [G. Rizzolatti – Craighero L. The Mirror-Neuron System. Annual Rev. Neurosci. 27 (2004) 169-92.] We could speculate about a possibility to extend it to certain fields of physics and science in general.

New alter – (not necessarily altered) – spaces have been rediscovered in this new era of augmented perceptions which defies our physical intuition about how the world is supposed to work.

Most working scientists hold fast to the concept of ‘realism’ – a viewpoint according to which an external reality exists independent of observation. But quantum physics has shattered some of our cornerstone beliefs. Experiments have amply confirmed quantum predictions[An experimental test of non-local realism – arXiv:0704.2529 [quant-ph]].

Our “naive physics” is actually closest to Aristotle’s 2300-year-old theories, in which heavy objects fall faster than light ones and objects in motion ease to a stop unless you keep pushing them. Quantum mechanics may seem weird, but to Aristotle, Newton’s laws would have been just as head-spinning.

The thing that’s hard is not that the people are ignorant or not ready. It’s that they already know the answer — and it’s wrong…

To get from Aristotle to Newton, you have to be able to imagine a world without friction. “It was just incredibly difficult for classical physicists to make the leap from that worldview, which was confirmed by the things they saw in the everyday world around them, to understanding the strange implications of quantum mechanics,” [Steve M. Girvin – Yale University]

In the quantum world objects resist classical banalities as “space” and “time”. Particles are waves and waves are particles, and the act of observing seems to change the system being observed.

But what if we could develop a “field intuition” that would make this all seem as natural as an apple falling from a tree?

We can develop a new and more appropriate meaning for understanding and experiencing that I advocate and will call field intuition.

The fact that our minds ‘overevolved’ and allow us also to find beauty in sunsets and mountains, waterfalls and people and outer space, and (most bizarre of all) the atomic world among other alter spaces, is a gift that we do not(in many cases) even notice.

That we can make any progress at all in understanding quantum mechanics is surprising, that we can sensually feel the quanta could be even more surprising.

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I-Node Planetary Collegium /NEXT NATURE / juried poster exhibition/Andrea Traldi

Andrea Traldi

PhD candidate at the Planetary Collegium, The I-Node, School of Art & Media, University of Plymouth

Anatomy of Movement (APM) international.Country Manager – Spain

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NextNature.Link (2015)

 

It is commonplace to organise information about experiences into temporal clusters of what ‘just happened’, ‘what happened recently’,  what happened ‘previously’, and so on. One could easily be charmed into thinking that information about the past is the only kind of information one needs to understand existence. Still and all, there are different scales of information that exist in a temporal dimension and not all accounts of ‘what happens before us’ can be reduced to ‘what happened in the past’. Our generation participates in the process involving a major paradigm shift that will transform all explanations of progress based on ‘information about what happened before’ into explanations of progress made possible because of ‘information about the future’.  We are building a language to transform information about the past into memories of what happens next. For every anecdote, example, and art project, there is a process of communication, a person who tells the story now, an anecdote of the present into which the story needs to introduce its meaning.For the Next Nature exhiibition, actual points in the exhibition room become a reference to incorporate information about the experience of the observer into the printed artwork.

Pictures from exhibition in KEF’15 – http://bit.ly/NextNaturePix

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