Category Archives: General

“Working on site, TRIANGULAR will develop a series of workshops together with the participants in order to enhance spatial awareness (consciousness of the limits of our body and senses in space with the possibility of working, researching and creating at sites on the Kefalonian Island environment.)
Through various methodological models: actions/situations, spontaneous drawings, field recordings and ethnographic camera exploration; the aim is to concentrate on the impact of territory from an emotional , aural and mental state perspective.”

ELIGIBILITY

Visual/sound artists, designers, photographers, architects, performers interested in experimenting various situations and methodological models exploring the impact and possibilities of aural, visual and mental (emotional/psychological) spatial awareness.

OBJECTIVES

Working on site, TRIANGULAR will develop a series of workshops together with the participants in order to enhance spatial awareness (consciousness of the limits of our body and senses in space).
Through various methodological models: actions/situations, spontaneous drawings, field recordings and ethnographic camera exploration; the aim is to concentrate on the impact of territory from an emotional , aural and mental state perspective.
Applicants working in the fields of visual arts, design, photography, architecture, performance, theater, psychology and anyone who is interested to experiment space through subjectivity and the main fields of TRIANGULAR : auditory spatial awareness, psychological/mental space, optical/perceptual space, are welcome to participate.
The learning process will include presentations by the artists of the conceptual frame as well as technical workshops in order to provide the participants with tools to explore their own practice.
Participants will be encouraged to develop their own project out of these experiments: collecting, developing and selecting one specific experiment on site.
At the end of the master-class, the participants will be invited to present a gesture, a photography, a sound recording, a small installation, a video, a performance, an action or experimental act in a collective set up responding to TRIANGULAR’s original exhibition. The artistic experiments will then resonate and further the inquiries about spatial awareness.
Note: Participants are responsible to bring their personal laptop, software, digital camera and/ or microphone depending on the project they wish to develop during the master class.

PUBLIC OUTCOME

Class members will develop various methodologies to explore spatial awareness.
Participants will have the chance to exhibit their own work at the end of the workshop.
They will gain insight in a selection of works by international artists working the field of spatial awareness and will be exposed to a broad spectrum of ideas.
The workshop gives the participants the chance to meet and interact with other artists and potential collaborators from all over the world.
The participants will present and reflect on each other’s practice.
The workshop offers the opportunity to learn various practical as well as theoretical

techniques.

The workshop offers time to dedicate to an experimentation project.

A 7 DAYS MASTERCLASS PROGRAM

Daily action practice-based exploring spatial awareness.
Conceptual/ theoretical lectures related to contemporary art practices led by each artist from the collective Triangular in its field of interest (auditory spatial awareness,optical/perceptual space, mental/emotional space).
Specific methodologies and process experimentations related to Triangular artistic practice.
Practical workshops applied to conceptual and performative process including audio-visual field recording and editing. For example using field recording sound devices and microphones, filming with different cameras, gaining insight in different filmicapproaches such as camera ethnography, the participatory and/or observing camera.
Create a color study of daylight on site. Identify the specific colors in order to make a collection and elaborate a feasible map of the island´s tones. Make connections between the students and the locals color perception of their environment.
Triangular’s artist talk presenting the exhibition at the Ionion Center for the Arts and Culture.
Development by the participants of a personal project with support and inputs byTriangular’s instructors .
Preparation of a final presentation by the participants.
Exhibition by the participants of their personal project at the Ionion Center for the Arts and Culture with a final discussion of individual or collective produced works.

Certificate of participation will be available.

Note: Participants are responsible to bring their personal laptop, softwares, digital camera and/ or microphone depending on the project they wish to develop during the master class.

ΑPPLICATION- TERMS – CONDITIONS – FEES

Application is required through web application form at the address :

http://goo.gl/forms/q2f8aD9uzk

Email application is also acceptable to the email -address : info@ionionartscenter.gr

In all cases is required the follow information in word document :full name of the applicant , postal address, phone, country , email address, web site(if available), profession, discipline , short statement of the applicant no longer than 200 words , short cv no longer than 200 words. In case of group /collective project( group -school- organization) is required title of the group -school- organization, full name of the person representing OR leading the group , postal address, phone, country , email address, web site(if available) of the group -school- organization , short statement no longer than 200 words , short cv of every group member no longer than 200 words.

Every submission requires an application/entry fee of euro 30, non refundable.

Each Application toward been considered must be completed including the follow:

Short submission notice -3 lines- in word document addressed via email to the address info@ionionartscenter.gr

The transfer confirm of the entry fee payment, Euro 30 for every separate application.
CV/Biography of the participant or CV/Biography for each of the group members in case of group project(text in word document non exceeding the 200 words)
A short statement (text in word document not exceeding the 200 words, short description of the expectations of the participant).

PARTICIPATION FEES/ INFO: info@ionionartscenter.gr

GRANTS ELIGIBILITY

All the completed participations on the program are eligible for the year Grants 2017 of the Ionion Center for the Arts and Culture

Grants connected to the residency of the year program : Starting from 1000 up to 30.000euro.
Grants connected to the SEA(S) FORUM: Starting from 2000 up to 50.000euro per year(in case of participation in the SEA(S)2017).

For detailed info about APPLICATIONS,TERMS, CONDITIONS, FEES , PAYMENTS METHODS &

PERSONAL SUPPORT : info@ionionartscenter.gr

APPLICATIONS : http://goo.gl/forms/q2f8aD9uzk

APPLICATIONS BY EMAIL :info@ionionartscenter.gr

Announcements, Archives, Education, Environment, Exhibitions, General

CRAIG DONGOSKI /2017 MASTER CLASS IN ART &TECHNOLOGY

2016/12/04 Editor Leave a comment

CRAIG DONGOSKI ” 2017 Master Class In Art and Technology – Craig Dongoski”
Website: http://radionion.com img_7006-1024x586

May 13th -May 28th 2017.

RadiOpolis 2017: is a 2-Session <(8)days per session> Masterclass led by artist Craig Dongoski. The class will be held on the island of Kefalonia, Greece and hosted by Ionion Center for Arts & Culture. A call for applications is open and a mix of (12) visual artists, musicians, programmers, filmmakers, writers, performers will be selected based on individual strengths and willingnesses to cooperate within group dynamic. This will be a multidisciplinary program. There will be no priority placed on a particular medium. We will instill and operate from an openness dictated by the make-up of the collective artists meshed with the experience on the island. Our focus is on producing new models & new vocabularies. Artists will have the option in their pursuits to be as raw and removed from technology as they prefer and/or as immersed. There will also be an opportunity to contribute to the painting of a significant mural in Kefalonia.

Archives, Education, Environment, Exhibitions, General, News, Open Calls, Performance, Residencies, Video Art, Workshops

SANJA HUREM “METAMORPHOSIS”

2016/01/07 Editor Leave a comment

Sanja Hurem September 2015

https://www.facebook.com/sanjahurem/

https://www.youtube.com/watch?v=F5rRcSLyge8

Sanja Hurem (www.sanjahurem.com)

https://vimeo.com/108893890

Announcements, Archives, Education, Environment, Exhibitions, General, News, Open Calls, Performance, Residencies, Video Art, Workshops

NICHOLAS JONES : ‘’IONIAN ODYSSEY’’

2016/01/07 Editor Leave a comment

NICHOLAS JONES : ‘’IONIAN ODYSSEY’’
All who wander are not lost
For over 15 years, Melbourne artist Nicholas Jones has been making his unique work out old and unwanted books. His current body of work follows the history of navigation and mapping in the Ionian Sea, focusing on the island of Kefalonia.
Inspired by studies of the journeys of Odysseus and the collection of the Corgialenos Library in Argostoli, Jones Odyssey brings him from Australia to Greece in search of the Old, the New and the Forgotten.
*Nicholas Jones *
www.bibliopath.org <http://www.bibliopath.org/>
John Buckley Gallery – Nicholas Jones
<http://www.johnbuckleygallery.com/…/nicholas-jones-mining-t…>
State Library Exhibition – Nicholas Jones
<http://www.slv.vic.gov.au/event/conspiracy-cartographers>
Meanjin – Nicholas-jones
<http://meanjin.com.au/…/well-readan-interview-with-book-sc…/>
Where They Create – Nicholas-Jones
<http://wheretheycreate.com/Nicholas-Jones>
Facebook Page – Nicholas Jones Book-Sculptor
<https://www.facebook.com/pages/Nicholas-Jones-Book-Sculptor/328129883874336>

Documentary on Nicholas Jones 2011 <http://vimeo.com/27334681>

Thoughts by the Art Critic George Kakis Konstantinatos,
introducing the work and exhibition of Nicholas Jones entitled<< IONIAN ODYSSEY>>
Ionion Center for the Arts and Culture ,Greek Island Kefalonia
August 31 2015

Just as the Antikythera Mechanism, where we see something rather very small, that hides a vast knowledge, specificity, precision, wisdom, thus – under similar terms- we should see the work of Nicholas Jones.
Like something very small, that hides his hard work, talent, knowledge
and the study of the object, which is the artistic sculpture – ‘surgical’ ‘- interference
mainly in old books.

What one can see with a glance touch in the work of Jones is that his books carry
dust of the time were written, along with the meander of the life struggle of that time,
things that both the artist brings to day light , to accept on their leaves the fresh air
in a renewed journey where their new life is starting now!

The paper cutting sculpture of Jones is respectfully taking into account what is written within these books,
The theme of the book, together with the material on or by which this occurs:
The old paper, the ink, the era fonts, etc. all been brought in today.

Given that the books printed under the photosynthesis process ,
none of them will stay permanently throughout the upcoming centuries …
(The destruction will happen under very slow process, already determined by all of us as fact regarding the
first fax printings or the payment receipts).
Only pages that are printed in the classical way in printing pressure machines- as
Example the Heidelberg type- will survive.
… the use by the artist of this specific type of classic books and their emergence in a new context, setup a play with the knowledge and the time , that posses a considerable importance.

In the present exhibited work entitled “”IONIAN ODYSSEY’’ we have a Maritime travel and Mapping.
The Navigation <>, needs the Mapping the <

>.
Sailing and Map. Content and Form.
The sailing as content, and the map as an illustration of the ride.
One creative element is the ‘’Dionysian’’ a sailing, travel experience to the material synthesis and the same time travel within us,
The other element the ‘’Apollonian’’ is the map…. counting the miles, from here to there …

With the assistance of the mapped knowledge, this visual navigation, searches and claims
through this Odyssey an opening in the horizons from the Old and Forgotten to the New,
still possessing the inherent seed decay.
But even so according the subtitle of the exhibition: Those who wandered were not lost!

In the Ionian Odyssey of Jones, Kefalonia Island is referred to as the Central Point.

The Creator has a clear inner sense leading him – perhaps without knowing it – and holding the papers of
Corgialenios Library, implements with his work achievements the fact that during the Greek Empire(so called by the famous Englishman Byzantinologist Sir Steven Ransiman), Kefalonia was the Center in the Ionian Sea, under the administrative title <>.

The artist is conversing- maybe- with his own “”red dressed” people, commanders of the Islands between 1810 to 1864. These people had among them the negative “Maitlands”, rejected by the local collective conscience and the positive “Napier”, saved by the consciousness of the island’s world.

Nicholas Jones works on what only through true art can be operated: He returns to the World clear the body of the Ionian Islands, expurgated by removing with his work any fainthearted geopolitical considerations.

His instrument to achieve this apologetic clearance, patience and art is his scalpel-cutter, cutting paper of his last as prayer, passing hundreds of times over the leaves of his books, chiseling and cutting them, one by one!

The book, a book, any book, tells us “something”. This same “something” is what Jones points out, interfering with his paper cutting, highlighting –after his long study-geographical, historical, cultural elements.
Let’s take as example of his work the little booklet that molds the Lion of St. Mark,
On it is printed the play “Othello” by William Shakespeare.
Yes but Othello is an official of Venice, entity having as emblem of St. Mark’s Lion.
So Jones succeeds to connect in a “talk” Shakespeare, Venice and Othello on the same scene that is the Ionian Islands, underlining the fact of the Venetian occupation on the Ionian Islands, thus putting the project in the body of this report entitled ‘’Ionian Odyssey’’.

Making one digression here to say that Othello, the famous “Black” of the famous Shakespearean tragedy, it would of course never been black. The places reserved to those black people by the Republic of Venice was rather the role of the ship rowers. What is true is that the coat of arms of the historical person , who Venice entrusted the management of Cyprus of acquisition, was represented by three berries, with underneath the word “Mauro”, in Greek means “Black”. The detail, together with the black deed of the murder of his wife Dysdaimona from undue jealousy, gave the Othello the feature of Black!

Beneath the black (or dark red or green or dark anyway -compared with white pages-) cover of his books, Nicholas Jones highlights the whiteness of the pages.

If we want to integrate his artistic work we would say that certainly belongs to the genre of sculpture.
The micro – graphic sculpture.

My opinion is that ,we still can connect this kind of sculpture with one of the art styles :
The “Op Art” (Optical Art).

Τhe fact however is that, Jones finds with his work,His Globally recognizable figurative mannerism.
(Which I’m sure started playing as a kid …!)

And the playfulness between Micro-graphic Sculpture and “Op Art”, in the postmodern era in which we are already, brings to mind a sense from the History of Art:

As Humanity nowadays is attending all her past passing in front of her eyes in a speedy way, we can consider as war signal the return of all styles….!

George Kakis Konstantinatos

Actor- Director –Visual Artist

kakis111@gmail.com

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UNIVERSITY OF TECHNOLOGY SYDNEY /Global Studio 2015” LAB 85302:STATEOFTHEISLAND”

2015/09/16 Editor Leave a comment

In this Interdisciplinary Design Lab, under the supervision of Dr. Mark Titmarsh, the discipline of design is cast as an agent for change, a way of creating and critically exploring possible futures for various contemporary urban environments. Centering on the island of Kefalonia, Greece, the lab will consider the future of the island with regard to the use and re-use of everyday plastic materials. This will involve investigating the island, its towns and locales, to recognise how it functions in terms of urban planning, public space, sustainability, architecture, tourism, sea sports and related design disciplines.

This studio project will begin as an exploration of plastic, the story of its creation and how it is has come to be ubiquitous in the design of daily practices. We will be looking at the use of plastic on the island for business and recreational purposes and noting in particular any dependence on the use of disposable plastics, from plastic bags through to coffee cups.

You are being asked to consider the cultural history of the island, its institutions and businesses, its domestic and recreational resources and any issues that might be generally applicable to other island states like Australia or Indonesia.

Your final goal on Kefalonia is to design a presentation for display in the gallery of the Ionian Centre. These works can take the form of creative installations that reflect consciousness of plastic usage, behavior steering towards ideal sustainability, and up-cycling for aesthetic practicalities, potentially creating a model for other islands and island states to emulate.

Working in a teams you will devise a component of the final exhibition that will take place on Friday 3 July 2015 at the Ionian Center for Arts and Culture. This work will be designed so as to integrate with the other interdisciplinary teams from American and Greek institutions to form a unique public event that indicates alternatives for existing plastic forms on Kefalonia.

All communication in Sydney will be initiated through UTS Online

Bio

Dr. Mark Titmarsh (born 1955, Ingham, Australia) is a visual artist working in painting, video and writing. His paintings and filmwork are currently held in public collections across Australia, and in private collections in Europe and the United States.

His current work executed under the rubric of ‘expanded painting’ is painting about painting or painting that dissimulates into objects, videos and texts. Recent work has included paintings on industrial materials, environments of fluorescent string and video works for mobile phones. In 2006 he was a cofounder of the artist run space, Loose Projects and is currently co-editing a book on the gallery.

In the 1990s he co-founded the Sydney based artists group Art Hotline that exhibited ephemeral works in non-gallery everyday sites. He also edited a book documenting their activities between 1992 and 1995. Much of this work could be described as post-painting objects in that they take the form of 3 dimensional constructions that refer specifically to the conceptual aspects of painting. His screen based work included video and experimental websites that were exhibited in Multimedia Arts Asia Pacific in 2000.

Mark is active in issues surrounding the arts, having been a co-founding member of WAAR (Working Artists Against Ralph) and PEAASS (Promoting Electoral Awareness of the Artist’s Status in Society), two groups that were formed to defend artists’ rights and raise awareness of their contribution to the national cultural environment. He was a co-founding member of Group 3 three, an artists’ collaboration exploring the boundaries of painterly practice through installation and photographic documentation.

In the 1980s he established an international reputation as an experimental filmmaker exhibiting in Europe, North America and South America winning awards at Ann Arbor and Montreal International Festivals. In Australia he was a significant contributor to the development of the postmodern debate in the visual arts in his role as co-editor of the visual arts magazine, On the Beach and as a new image painter.

Mark was a co-founding member of the Super 8 Film Group, a Sydney-based organization for the promotion, distribution, and exhibition of Australian experimental filmmaking. He was the founding member of Metaphysical TV — a group of 5 experimental filmmakers whose work relied on reconstructing fragments appropriated from television imagery.

Among other qualifications, Mark has just completed a PhD in Painting at University of Technology Sydney, he holds a Masters degree in Visual Arts and has studied at St. Martin’s College of Art, London; the University of London; the Pietro Vannucci School of Fine Arts, Italy and the University for Foreigners in Perugia, Italy.

Announcements, Archives, Education, Environment, Exhibitions, General, News, Open Calls, Performance, Residencies, Video Art, Workshops

Julia Heurling – Maria Demas ”A DIALOGUE IN SPACE”

2015/09/16 Editor Leave a comment

An exhibition built as a conceptual installation.
Horatio and Celeste are two fictive characters,
representing the works of Julia Heurling (Horatio) and Maria X Demas (Celeste).
The names derive from the concepts and meanings of “horizon” and “celestial”

Designer Julia Heurling returns to the Ionion Center for Arts and Culture (ICAC)on a residency furthering her research on the project A HORIZON IS NOT FLAT. After a short term stay in Tokyo her direction took a slight turn, so, with fresh perspective and while reconsidering theoretical aspects of her work, she invites local artist Maria Demas to a creative dialogue in a defined space through applied art. The exhibiting hall at ICAC takes on the active part of a work of art leaving its passive quality behind, since the artists in a joint attempt engage with the space as a dimension, and as a circumstance by way of placing their work within it. The show’s duration is one day and a section of the installation will be open studio where visitors can see the work process.
Saturday, June 13th 2015, from 20:00.

TITLE_ ‘Celeste-Horatio: dialogue in a space.’

H Σχεδιάστρια Julia Heurling επιστρέφει στο Ιόνιο Κέντρο Τεχνών και Πολιτισμού (ICAC) σε μια προώθηση της έρευνας της σχετικά με το έργο << Ο ορίζοντας δεν είναι επίπεδος>>. Μετά από μια σύντομη παραμονή στο Τόκιο η κατεύθυνση της πήρε μια μικρή στροφή, έτσι ώστε, με νέα προοπτική και επανεξέταση στις θεωρητικές πτυχές του έργου της, καλεί την εντόπια Καλλιτέχνιδα Μαρία Δήμα σε ένα δημιουργικό διάλογο και σε ένα ‘’καθορισμένο’’ χώρο με συμμετοχή της εφαρμοσμένης τέχνης. Ο εκθεσιακός χώρος του Ιονίου Κέντρου αναλαμβάνει ενεργή συμμετοχή ως καθεαυτό μέρος ενός έργου τέχνης, αφήνοντας πίσω την παθητική ποιότητά του, δεδομένου ότι οι καλλιτέχνες σε μια κοινή προσπάθεια ασχολούνται με το χώρο ως μια διάσταση και ως δεδομένο παράγοντα που θα αποτελέσει το πλαίσιο της τοποθέτησης των εργασιών . Η διάρκεια της έκθεσης θα είναι μία ημέρα και ένα μέρος της εγκατάστασης θα λειτουργήσει σαν ανοικτό στούντιο, όπου οι επισκέπτες θα μπορούν να παρακολουθήσουν τη διαδικασία της εργασίας.
Το Σάββατο 13 Ιουνίου 2015, από τις 20:00.
TITLE_ «Celeste-Οράτιος: Διάλογος στο Χώρο.»

Julia Heurling
works as a designer and artist specialized in pattern and Textiles. She works within and in between the fields of interior design, product design, art and artistic research. She is educated at the Swedish School of Textiles, based in Stockholm, Sweden. Among her commissions are patterns for wallpaper, iPhone cases, calendars, textiles, and artistic decorations.
Her work “A horizon is not flat” was exhibited last year at The Ionion Center for the Arts and Culture, as a part of the “Mapping Kefalonia” program.

Η Julia Heurling είναι σχεδιάστρια και καλλιτέχνης με ειδίκευση στα μοτίβα και ειδικά στα υφάσματα. Το έργο της κυμαίνεται μεταξύ των πλαισίων του βιομηχανικού σχεδίου, σχεδιασμού προιόντων , τέχνης και εννοιολογικής έρευνας. Σπούδασε στη Σχολή Υφαντουργίας της Σουηδίας, στη Στοκχόλμη. Ανάμεσα στις πολυάριθμες αναθέσεις της συμπεριλαμβάνονται σχέδια για ταπετσαρία, θήκες για κινητά iPhone, ημερολόγια τοίχου, υφάσματα, διακοσμητικές συνθέσεις και αντικείμενα.
Η έκθεσή της ” Ο ορίζοντας δεν είναι επίπεδος” στο Ιόνιο Κέντρο Τεχνών και Πολιτισμού, το καλοκαίρι του 2014, είχε αποτελέσει μέρος του προγράμματος “Mapping Kefalonia” του Ιονίου Κέντρου.

Maria Demas
Born in Athens 1977. Residence in the USA for 1 year, and 8 years University studies in the UK. Holder of B.A. in Illustration, and M.A. in Philosophy in relation to Art. Professionally active in a number of visual arts like storyboarding, graphic layouts, comics creation, hand-crafted shop signs, mural making, and teaching art workshops since 2002. Has taken part in art exhibitions in Portsmouth, Athens, and Cephalonia where she has been residing for the last 8 years.

βιογραφικό
Μαρία Δήμα
Γεννήθηκε Αθήνα το 1977. Διαβίωση 1 έτος στις ΗΠΑ και 8 χρόνια σπουδών στο Η.Β. Πτυχιούχος στην εικονογράφηση και μεταπτυχιακό σε φιλοσοφία γύρω απ’ την τέχνη. Επαγγελματικά δραστήρια σε τομείς εφαρμοσμένων τεχνών κυρίως storyboard, γραφιστική, κόμιξ, επιγραφοποιία, διδασκαλεία εικαστικών από το 2002. Συμμετοχή σε εκθέσεις ζωγραφικής/μονοτυπίας σε Portsmouth, Αθήνα και Κεφαλονιά όπου διαμένει τα τελευταία 8 χρόνια.