I-Node Planetary Collegium /NEXT NATURE / juried poster exhibition – Mike Phillips

Mike Phillips: Professor of Interdisciplinary Arts at Plymouth University, the Director of Research at i-DAT.,Principal Supervisor for the Planetary Collegium.

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Adam – [Omphalos 2.0]
Adam is a teddy bear constructed from lint harvested from the artists’ navel. Over a period of weeks small quantities of Adam’s body were collected and composited to constitute his cuddly form. Born from a combination of H&M black T-Shirt fibres and the artists DNA (epithelial tissue and bodily flotsam and jetsam), Adam waits patiently for the breath of life. For all his fluffy attributes Adam represents a philosophical and ecclesiastical conundrum – does Adam have a navel? Born of belly button Adam, like his biblical namesake, had no umbilical cord. Adams’ genetic makeup is, probably, around 20% human and his morphology certainly (bearly) humanesque, if miniscule in proportion. Neither natural (a genetic abomination) nor artificial (organic cotton), this hybrid offspring chronologically inverts the Omphalos hypothesis. The past is not the divine fraudulence, it is our umbilicus-less future nature (neither innie nor outie, but withoutie) that is the fabrication.
www.i-node.org

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I-Node Planetary Collegium /NEXT NATURE / juried poster exhibition – Roy Ascott

 www.i-node.org

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“This means, of course, not an inert, passive or genetically programmed participation but a conscious involvement in the evolution of those forms and  emergent behaviours which we identify with life and which, as our powers of intelligent collaboration and participation increase, will come to constitute the new nature”         Roy Ascott.

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I-Node Planetary Collegium / INTERNATIONAL JURIED POSTER EXHIBITION: “NEXT NATURE: BONJOUR MONSIEUR COURBET” I-NODE AWARDS

next_nature_web

         INTERNATIONAL JURIED POSTER EXHIBITION:

“NEXT NATURE:

BONJOUR MONSIEUR COURBET”

I-NODE  AWARDS

 

CALL FOR   ENTRIES

Organiser: The I-Node of the Planetary Collegium

Venues:  

  • Ionion Center for the Arts and Culture (April 2015)
  • Art Athina, Athens International Art Fair (June 2015)

Submission deadline: Monday, March 2, 2015

Eligibility : high-quality research posters with the syncretic approach in Art, Science and Technology.

Exhibition Dates:

  • 23 April – 8 May 2015
  • 4-7 June 2015

Poster Chair:

Katerina Karoussos, Director of the I-Node, Planetary Collegium

http://plymouth.academia.edu/KaterinaKaroussos

Selection Committee:

Roy Ascott, President of the Planetary Collegium, Planetary Collegium

http://en.wikipedia.org/wiki/Roy_Ascott

 Elif Ayiter, Director of Studies of the I-Node, Planetary Collegium

http://citrinitas.com/

 Francesco Monico, Director of Studies of T-Node, Planetary Collegium

http://en.wikipedia.org/wiki/Francesco_Monico

 PLANETARY  COLLEGIUM  AUTHORS

Jane Grant,      Pier Luigi Capucci,     Khaled  Hafez,    Law Alsobrook,     Alejandro Quinteros,   Juliette Yuan,     Diane  Derr,     Benjamin Pothier,      Paola  Lopreiato,    Mike Phillips

Giorgos Papakonstantinou,       Seth Riskin,     Mujin Bao,      Andrea Traldi

Alex Barchiesi,       Adam Zaretski,      Lila Moore,      Regina Durig

 

The final list of accepted posters for Next Nature includes two categories of posters:

Accepted posters, which their authors are members of the Planetary Collegium (PC1 – PC2) and

Open Call posters which will be selected from the submissions received in response to the open Call for Posters.

A selection of 30 entries from the open call posters together with the accepted posters will be exhibited  at the Ionion Center of Arts and Culture on the island of Kefalonia, Greece (ICAC) in April 2015.

During the exhibition, 25 posters from all the categories  will be selected to be exhibited at the Athens International Art Fair (Art-Athina) on July 2015.

We are soliciting high-quality research posters with the syncretic approach in Art, Science and Technology. Posters must include original work that is unpublished or published after August 1, 2014. Posters are intended to convey a syncretic approach to “Next Nature” theme.

 

THEME

In 1863 Jules-Antoine Castagnary announced that: The naturalist school declares that art is the expression of life under all phases and on all levels, and that its sole aim is to reproduce nature by carrying it to its maximum power and intensity: it is truth balanced with science 1. One of the most illustrated examples of naturalism is “The meeting”, an 1854 painting by Gustave Courbet, which has been interpreted as depicting Courbet greeted by his patron Bryas, his servant Calas and his dog, while travelling to Montpellier. The Meeting was exhibited in Paris at the 1855 Exhibition Universelle, where critics ridiculed it as “Bonjour, Monsieur Courbet”. The composition is based on Doré’s “The Wandering Jew2. Courbet, one of the major representatives of naturalism, has represented himself in the image of a wanderer, without a definite context, as one would expect of expect of a naturalistic painter. Did Courbet interpret Castagnary’s words ‘carrying it [nature] to its maximum power and intensity’ as a process of metaphor, fluidity, multiplicity and metamorphosis?

 

Nowadays, and after 160 years of Courbet’s naturalistic metamorphoses, we assume that we have embedded the ‘truth balanced with science’, as art work is based on transidisciplinary research through a variety of syncretic approach. In an era when, according to Roy Ascott, the ‘three VRs –virtual, validated and vegetal ‘merge into a continuous flow of ‘variable reality’, it is the right moment for a future anterior step which will lead to the awareness of the Next Nature.

 

And, as Ascott argues: “This means, of course, not an inert, passive or genetically programmed participation but a conscious involvement in the evolution of those forms and  emergent behaviours which we identify with life and which, as our powers of intelligent collaboration and participation increase, will come to constitute the new nature”3.

 

Katerina Karoussos

 

  1. Needham, Gerald, “Naturalism.” Grove Art Online. Oxford Art Online. Oxford University Press

 

  1. Linda Nochlin, Gustave Courbet’s Meeting: A Portrait of the Artist as a Wandering Jew Art Bulletin vol 49 No 3 (September 1967)

 

  1. Ascott, Roy, “Back to Nature II- Art and Technology in the 21st century” 1st publication, 1993. Fedrowitz, eds. Kultur und Technik im 21.Jahrhundert. Frankfurt: Campus Verlag, pp. 341-355. Culture and Technology in the 21st. Century Wissenschaftszentrum Nordrhein-Westfalen. 2nd publication 2013, More & Vita-More, The Transhumanist Reader. NY Wiley. Pp 438-448.

 

GENERAL IMFORMATION

 

 The I-Node of the Planetary Collegium invites transdisciplinary artists /researchers to apply for the upcoming poster exhibition addressing the theme of “Next Nature”.

 

The final list of accepted posters for Next Nature includes two categories of posters: accepted posters, which their authors are members of the Planetary Collegium (PC),

and open call posters which will be selected from the submissions received in response to the open Call for Posters.

  • A selection of 30 entries from the open call posters will be exhibited as part of the Planetary Collegium poster exhibition “Next Nature’’ which will be held at the Ionion Center of Arts and Culture on the island of Kefalonia, Greece (ICAC) in April 2015.
  • During the exhibition, 25 posters from all the categories will be selected to be exhibited at the Athens International Art Fair (Art-Athina) on July 2015.

 

We are soliciting high-quality research posters with the syncretic approach in Art, Science and Technology. Posters must include original work that is unpublished or published after August 1, 2014. Posters are intended to convey a syncretic approach to “Next Nature” theme and should not include advertisements for commercial reasons.

A poster that is judged by the selection committee to be an advertisement will be subject to removal without notice.

 

AWARDS

The Selection Committee will select two individuals to be awarded with the Juror’s Choice Awards.

 

  • 1st prize: One grant (€ 800) exclusively for a PhD research at the I-Node of the Planetary Collegium

 

  • 2nd prize: Free art-in residence (max 30 days, including personal exhibition/performance or presentation) at the Ionion Center for the Arts and Culture (travel expenses are not included)

 

Planetary Collegium members (faculty and researchers) are excluded from the award competition. Works previously displayed in Ionion Center for the Arts and Culture are also ineligible.

ENTRY FEES

  1. Open Call Posters will be required to pay a poster fee of €50 for early poster submissions.
  2. Accepted Posters from PC authors who are currently in their research updates will be eligible to submit a poster without a fee, providing their Plymouth University ID number, as part of their research session.
  3. Accepted Posters from PC authors who are currently in their writing-up stage or have already awarded with the PhD title can submit their posters with a poster fee of €30.
  4. Posters submitted after the deadline, and in any case prior to the Selection Committee meeting, will be considered as Late Poster Submissions and will require a non-refundable

All entry fees are non refundable

DUE DATES

  • Submission deadline: Monday, March 2, 2015
  • Notification by email of accepted works: Friday, March 28, 2015
  • Opening Reception: Thursday, April 23, 2015 (8:00 pm)
  • Exhibition dates: April 24 – May 8, 2015

4-7 June, 2015

 

SUBMISSION PROCEDURE

Application form and a poster daft should be sent to ionionode@gmail.com until the deadline.

Download the application form from the web site www.i-node.org

Files should be in PDF format, A3 (29,7 × 42 cm) maximum 5 Mb / 200 dpi in CMYK colour mode. Before sending, save the file as <name-surname.pdf>

The subject of the e-mail should be read as <surname-nextculture>.

Selected participants will be asked to submit a new file in size A0.

 

COMPLETE ENTRY CHECKLIST

Incomplete entries will not be considered. A complete entry form consists of the following:

  1. Application form
  2. Draft poster in PDF
  3. Proof of deposit from Pay Pal Online payment service

 

ADDITIONAL INFO

  • Selected participants are welcome to be present to follow the program /or/ the reception day at the Ionion Center for the Arts and Culture (ICAC) . The I-Node of the Planetary Colegium does not cover accommodation or travel expenses. If selected participants wish to participate to the events, ICAC can provide discounts for bookings at a partner hotel and additional support for a vist/ or /residency at the Center during late April/ May / June. (info upon request).
  • Posters will remain in the Ionion Center for the Arts and Culture.Participants who will request the delivery of their physical posters –after June 10, 2015- are responsible for the transport costs insurance/safety issues.
  • A selection of posters will be published on the I-Node’s web site, or otherwise the author has to state his/her disagreement in the Application Form.

INFORMATION:www.i-node.org  

For questions or additional information, please contact the Poster Chair, Katerina Karoussos at inode.karoussos@gmail.com

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GRANTS 2015- 2016/Reframing the History of Civilization through the Contemporary Art In the Islands Kefalonia and Ithaca .

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INTERNATIONAL  PROGRAM

ANNOUNCEMENT  /   OPEN CALL

GRANTS  ΥΕAR 2015-2016

Reframing the  History of Civilization through the Contemporary Art

In the Islands Kefalonia and Ithaca .

VENUE : Ionion Center for the Arts and Culture /Greek Island Kefalonia

ELIGIBILITY : All disciplines and interdisciplinary projects in Arts, Sciences, Education  and Research, included Environmental projects, Literary Arts , Performing  Arts and Music, Applied Arts, Visual Arts , New Media.

Are invited  projects personal of collective, academic projects,  Schools,  Colleges, Universities and in Arts, Sciences and Research  involved  Institutions and Organizations from all over the  World.

TIME : Year 2015 – March  1st to December 30th

OPENING DATE FOR APPLICATIONS : November 1st  2014 [limited space for participations]  DEADLINES : On going

GRANTS : euro 30.000  grants available. 10.000  for the best project upon realization.

ACCEPTABLE : a.  Proposals  connected to the open programs of the Ionion Center for the Arts and Culture .b. Innovative  Proposals – all disciplines- not connected to the existing programs.

 

Information –Contact : www.ionionartscenter.gr, info@ionionartscenter.gr

Applications: http://goo.gl/forms/q2f8aD9uzk

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Finding your Unique Voice Master Workshop – Choreography/Creative Process/ March 29th-April 4th , 2015 AT the Ionion Center for the Arts and Culture /Greek Island Kefalonia.

DSC_0822Finding your Unique Voice

Master Workshop – Choreography/Creative Process/ March 29th-April 4th , 2015 AT the Ionion Center for the Arts and Culture /Greek Island Kefalonia.

 

‘’Finding your Unique Voice’’ is a 6 day intensive Master Workshop

Instructor : Emily Berry

 Venue : The Ionion Center for The Arts and Culture ,   Island Kefalonia, Greece .

Time : ( March 29th April 4th 2015,  Mediterranean Spring ,Greek Easter, when the island is transformed in a mild weather Paradise in full  blossom.

Eligibility :This unique Master Workshop is open to 12-15 participants from transdisciplinary  or dancing/ performing arts background,  that are interested in exploring the creative process and to introduce /communicate /demonstrate a personal or professional project on the explored theme.

The selection will be based on the originality  and innovation of the project.

Award: The best personal  project will be warded by the Ionion Center with the opportunity of a personal presentation / performance  and  residency.

The workshop ‘’Finding your Unique Voice’’ will focus on a process to pull out of the participants their unique movement/ creative  voice as well as discovering their own unique creative process into the new –early Spring environment of the Island .  Participants will share in daily classes of movement, improvisation, discussions, and time to explore and create. The week will culminate in a public sharing of the movement/work that was discovered over the course of the week.  Participants will also have an opportunity to traverse the Island, using its rich landscapes and history as inspiration for creative explorations.  Participants will also engage in creating a site specific performance in relationship to the natural/architectural/cultural environment .

Open call is inviting applications . Dead line for applications : March 25th 2015.

Participation fee is euro 380(tax and registration fee  included), includes full housing accommodation, breakfast  and one local  traditional  hot meal(lunch).

Traveling , insurance, leisure  and local transportation expenses are not included.

The Master Workshop will offer Official Certificate of Participation

For details and the  full program  please contact: info@ionionartscenter.gr

Applications :  http://goo.gl/forms/q2f8aD9uzk

 

Emily Berry, MFA – Department of Health, Physical Education, and Dance

Associate Professor ,  Queensborough  Community College NY

Education:

Master of Fine Arts: George Mason University
Bachelor of Dance Arts: University of Michigan School of Music
Bachelor of General Studies in Women’s Studies and Political Science: University of Michigan School of Literature, Science, & Arts

 

 

 

Emily Berry : www.b3w.org

 Emily Berry is the Artistic Director of B3W Performance Group, which has performed in the

US, England and Mexico. In New York City, B3W has performed at Henry Street Settlement,

Dance New Amsterdam, Dixon Place, BAAD!, the 92nd Street Y, The Irondale Center as part ofFlicFest, the International Dance Festival NYC, the DUMBO Dance Festival, the Manhattan

Movement Arts Center, and the Cool New York Dance Festival. The company has also

premiered two dance films in Maryland and in Switzerland. B3W received the Mondo Cane

Commission from Dixon Place where we premiered Confined in September 2010 with a threeweek

run. Emily was also commissioned to set a piece on Ann Arbor Dance Works in May of

  1. Spin Art, B3W’s newest evening length work premiered at the Irondale Center January

30th, 2014 with live music by DBR. Spin Art will premiere as a creating public art through

performance piece with paint inside of a cube in Queens in the fall of 2014.

Eva Yaa Asantewaa (Infinite Body) describes Berry’s work as “Memorable, intelligent, strong”.

“Violent but engaging” are the words attached to Berry’s work by Clare Croft in the Washington

Post. Maura Donahue (Culturbot) writes about Confined as, “Clear expression of idea in

movement”.

Emily has performed with danceTactics Performance Group/Keith Thompson, Boris Willis

Moves, Dakshina/Daniel Phoenix Singh & Company, Restless Native Dance/Tamieca McCloud,

Lesole’s Dance Project, and Ashe Moyubba/Alafia Afro-Cuban Folkloric Dance Ensemble.

Emily is a Certified Movement Analyst. She also has a MFA in dance from George Mason

University. Her Bachelor of Dance Arts was earned from the University of Michigan along with

a Bachelor of General Studies in Women’s Studies and Political Science. She has taught at

Oakland University, George Mason University, Coppin State University, Montgomery College,

and the Community College of Baltimore County. She has also taught master classes for

ACDFA, Goucher College, the College of William and Mary, the University of Michigan, and

numerous dance intensives. She is currently an assistant professor of dance and the director of

the dance program at Queensborough Community College.

 

Program

 

Sunday  March 29th

10:00am -11:00 am – Welcome and Introductions

11:00 am-1:00 pm – Movement class

1:00-2:00 pm – Lunch

2:00pm-3:30pm – Improvisation Class

3:30pm-3:45pm – Coffee Break

3:45pm-5:00pm – Creative Process – Discussion and Exploration

5.00pm-12.00 free evening / free exploration of the area / Argostoli by night

 

Monday March 30th

10:00am-11:45am  – Movement/Improvisation Class

11:45am-12:00noon- Break

12:00noon -1:00pm – Creative Process – Journal writing/Discussion

1:00pm-2:00pm – Lunch

2:00pm-4:00pm – Exploration/Experimentation of Creative Process/Movement Development

4:00pm-4:15pm – Coffee Break

4:15pm-5:00pm – Sharing of Explorations

5.00pm-12.00 free evening / free exploration of the area

 

 

 

 

Tuesday  March 31th

Excursion to Explore the Island

Journal Writing of Inspiration – Site Specific ideas for improvisations/performances/or inspiration for creative process/movement

9:00am-6:00pm

 

Wednesday  April 1st

10:00am -11:15 am – Movement/Improvisation Class

11:15am-12:15pm – Discussion/sharing of discoveries from Excursion

12:15pm-1:00pm – Planning of 2nd excursion – creating a collective response through movement

1:00pm-2:00pm – Lunch

2:00pm-4:00pm – Time to Explore Creative process/Movement

4:00-4:15 – Coffee  Break

4:15pm-5:00 pm– Sharing of explorations – final planning of 2nd excursion – creating a collective response through movement

5.00pm-12.00 free evening /free exploration of the area

 

Thursday April 2nt

10:00am -1:00pm – 2nd Excursion – Performing Site Specific Work

1:00pm-2:00pm – Lunch

2:00pm-5:00pm – Exploring a new creative process – Developing an Idea

5.00pm-12.00 free evening / free exploration of the area

 

Friday April 3 th

10:00am-11:15am – Movement/Improvisation Class

11:15am-1:00 pm– Developing an Idea/Concept

1:00pm-2:00pm – Lunch

2:00pm-4:00pm – Finalizing what to show

4:00pm-6:00pm – Coffee Break

6:00pm-7:00pm  warm – up

7:00pm  – Public event / Showing of explorations from the week

 

Saturday April 4th

 

Evaluation process – awarding the best participation

Certificates of participation

Good buy cocktail

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